This record really means a lot to me. I made the same time I was recording my album, which was an on again off again process for six months.

When I made the opening track, I wanted to make something similar to the Ape Drums remix of "Recess" by Skrillex & Kill the Noise, and I came up with the track "Cole Slaw", with a cool sample of "Work It" by Missey Elliot. After only an hour or two of work, I released the record on Soundcloud and Bandcamp. It was then that I realized that I needed an EP to go along with this.

The next track, Rebourne, was also made pretty quickly because I needed another record for the EP, so I whipped up this track, it was the last record recorded for the EP. Well, when I finished the track, I wanted it to be named in a weird pun, so I came up with Rebourne, playing on the title of Melbourne Bounce.

Cute Like Koala was super hard to make. I spent hours getting a good master, and the final product wasn't even as good as I hoped for. I was SO tempted to pull this record off of the release, but I knew that people would love it. The vocals were by Ben Z, but they weren't recorded for the track, they were a free acapella from his Soundcloud page. This record is TWERK-tacular, and I will be remastering it shortly!

Beat Go BOY! ALSO sampled "Work It" by Missey Elliot, but I actually sampled the lyrics. I was really inspired by a lot of things for this record, and the final product was something new. This record has one of the greatest melodies I've EVER recorded. This record is NO DOUT the most worked on track of the release. It's one of my best tracks EVER.

Multiply is the title track. It's Big Room, but different. The drop is expected, but it's special. The vocal sample is saying "fruit" over and over again, I have no idea why I even added it in, but it's kinda cool to have in there. This track is, in my opinion, a great way to wrap up the EP!